Second-generation KARMA
KARMA is our revolutionary algorithmic performance technology that generates amazing phrases, grooves, and other musical effects that can be altered and randomized in real time. KARMA continues to set the standard by which all other arpeggiators, phrase players, and musical effect generators are judged.
KARMA gives you the power to play impossible interweaving cascades of notes, techno arpeggios and effects, dense rhythmic and melodic textures, natural-sounding glissandos, intricate finger-picking and guitar-strumming, swooping portamento and pitch bend moves, to name but a few. But what KARMA really offers is inspiration. Playing with it allows OASYS to improvise with you, stretching and expanding your own creative ideas.
In Program Mode, one KARMA Generated Effect (GE) can be assigned to a single drum groove, melodic phrase, comping gated part or other musical effect. Eight sliders, eight switches, and eight scene buttons on the expansive OASYS Control Surface provide dedicated real-time control and the ability to store complete snapshots of your settings.
Program Mode KARMA Real-Time Control Page
In Combi and Sequencer modes, KARMA’s power increases exponentially, with Four KARMA Modules available simultaneously. The Control Surface can access and manipulate each module individually on its own “Module Layer”, selected using the Module Control button.
KARMA 4 Module Set-up Page (Combi and Seq. Mode)
Sequencer Mode KARMA Real-Time Control Page
In addition to the four individual Module Layers, there is a Master Layer that can be mapped to parameters from any of the modules, even grouping them together – so one slider can control the swing feel of all four modules at the same time, or the rhythmic activity of two or three modules at once, to name a few. Each Module Layer has 8 Scenes that store the settings of the 16 sliders and switches in 8 different snapshots, instantly recalling completely different settings for that layer. The Master Layer’s 8 Scenes, in addition to storing the settings of the 16 sliders and switches for its parameters, also control which scene is selected for each module. With 8 Scenes in each Module, and 8 Master Scenes storing which of those scenes are selected at which time, the possibilities are endless.
KARMA Scene Matrix Control
Many features keep this second generation of KARMA technology on the extreme cutting edge. KARMA-based Wave Sequencing manipulates the playback of the actual samples that create each sound, allowing each note to access a different waveform as it is generated. Having Wave Sequencing available at the KARMA level means that you can add this great effect to a timbre quickly and easily, without having to edit any Programs!
KARMA GE Select By Category Screen
Note Remapping provides a powerful way to transform drum grooves into different variations, by instantly substituting one of the thousands of available drum sounds for any other one. It can also be used to melodically transform KARMA generated notes, such as changing all major sixths to major ninths.
KARMA Note Map Display
KARMA Note Map Tables
Best of all, by incorporating feedback from users, we’ve made KARMA significantly easier to use – while making it even more flexible! All of the onboard 2000+ KARMA Generated Effects (GEs) have been standardized to one of 13 different “Real-Time Control Models” (RTC Models). An RTC Model specifies which parameters of a KARMA GE are available for real time control, and how the Control Surface is assigned to them. With multiple GEs sharing the same exact setup, what you learn while controlling one GE is consistent and applicable to other GEs as well.
Please note: Cosmetic and Technical specifications are subject to change without notice
Demo Songs
Ben's Brains for Joe Z. (Mp3, 8.5 Mb)
Ben's Brains uses the HD-1, CX-3, AL-1 and STR-1 engines.
by Ben Dowling
www.bendowling.com
© 2007 Visionsound Music
www.visionsound.com
All rights reserved
Red Square Sinfonietta (mp3, 5.51MB)
by Peter Schwartz
(c) 2005 Peter Schwartz
all rights reserved
This demo blends real instruments with onboard OASYS sounds to show the benefits of using both MIDI and audio recording. The audio tracks are the piccolo, flute, alto flute, oboe, english horn and viola.
Love Embraces All (mp3, 6.10MB)
by Ben Dowling
www.bendowling.com
© 2007 Visionsound Music
www.visionsound.com
All rights reserved
Teknosis (mp3, 11.3MB)
by Peter Schwartz
(c) 2005 Peter Schwartz
all rights reserved
All parts are internal OASYS sounds.
Heaven (320 bitrate) (15.1 MB, mp3)
by Andreas Gundlach
(c) 2006 Andreas Gundlach
all rights reserved
This demo is part of a CD released in Germany by Korg & More to showcase the OASYS. Everything on the demo came from a single OASYS. It is presented in two resolutions in consideration for your Internet connection speed. For the lower resolution version (192 bitrate), click here (mp3, 8.66MB).
A few production notes:
The piano is the EXs-2 Piano (503 MB), slightly edited to suit Andreas’ touch (velocity curve) and taste (filter response).
The drums were played live into the sequencer from the EXs-1 Studio-Standard Kit (I-E 004), again edited slightly to match how Andreas likes to map drum sounds for playing live (some small mistakes were edited out later, of course!).
The percussion part in the middle was generated by KARMA, then resampled and laid back into the track as an audio loop.
For more info (in German) about the CD, click here.
More Audio Demos at